Some folks make music because they want to -- others do it because they have no choice. Sarah Borges clearly falls into the latter category, the kind of person whose DNA would read like a musical chart if you mapped it out on paper.
Diamonds in the Dark, Borges’ second album -- and first for Sugar Hill -- spells that out in lush detail, with every plaintive vocal twist and every rollicking guitar turn offering up proof that the Massachusetts native knows her way around American music’s roots (and has her own roots planted firmly in some mighty fertile soil).
Diamonds in the Dark, Borges’ second album -- and first for Sugar Hill -- spells that out in lush detail, with every plaintive vocal twist and every rollicking guitar turn offering up proof that the Massachusetts native knows her way around American music’s roots (and has her own roots planted firmly in some mighty fertile soil).
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