skip to main |
skip to sidebar
Create a MySpace Music Playlist at MixPod.com
Formed in Peoria, Arizona in 2001 by Sam Means and Nate Ruess, this Indie band survived until February 4th, 2008. 'The Format' was a name chosen as a jab at the music, accompanied by the idea that their is a cookie-cutter 'format' for musicians. Their first single followed this example and took the title 'The First Single.' Never becoming mainstream, they kept with small record labels during their career after a bad experience with Elektra. This particular song and it's album can only be bought online . The reason for the band's dissolution is unclear, but they have made it clear there were no hard feelings upon parting. Nate Ruess has started a new band called Fun and Sam Means has continued on by selling merchandise .
'Snails' is a departure from my usual listening. A friend unwittingly gave it me when she listed it among her top ten. The vocals are calm and upbeat, with whimsical, slightly silly lyrics. The acoustic sound is fits very well and gives the song a unique character. Their other songs are a tad faster than 'Snails,' but are just as clever. If you want something interesting, I urge you to watch the music video for The Compromise .
Create a playlist at MixPod.com
As you may have noticed, the lyrics you are listening to are not in English, but rather Japanese. Both languages are in the video above. 'Unmei no Hito' translated to'Fated Person' above, is by Fujita Maiko. She is about 25 years of age, having made her debut in 2004 with 'Koi ni Ochite' or 'Fall in Love.' To date, she has three albums out.
This song was delivered to me via the clever algorithms of Youtube, yet again. It was set as background music to a slideshow of pictures for a couple from a fictional series. Bored, and with nothing better to do, I clicked it, not expecting much. The slideshow was typical and unimpressive, however, the song caught me like the net I use against my fish when I have to clean their tank. I proceeded to minimize that horrid slideshow and play the song again and again, until I couldn't stand hearing it anymore.
The instrumentals are soft and merely compliment Fujita Maiko's pure voice. Using her vocals as a driving force, she manages to create a very compelling sound and draw the listener in. Upon examining the lyrics, especially for those who have a basic knowledge of the Japanese language, we find the lines cleverly and concisely put together. However, upon reading translation lyrics, this does not come across as strongly. The second most prominent instrument is the piano behind her voice. Simple and steady, it allows her vocal freedom and keeps a delicate emotional balance for the ears.
If this song was as appealing to you as it was to me, I recommend a follow up with Fujita's 'Kimi ga Yobu no Nara,' 'Tomadoi,' and 'Futari no Kare.'